Jacilyn M - Wedding | Engagement Photography

About Jacilyn M

I believe that life is an adventure. An adventure I only get once, so I live it to the fullest. I live out my dreams. I enjoy travel. Consume WAY too much coffee. Laugh really loud. Really like winter. And, I photograph it as I go. And this, this is where I share the story of it all.

Archive: ‘Photographers’



Daily To Do List | Mountain Resort Wedding Photographer

Tuesday, March 26th, 2013

To do lists are a big part of actually getting work done. I previously blogged about the workflow chart. It’s a great chart giving you information on what has been done, what needs to be done, etc, with just a glance at it.  But what about those daily to-dos. How do you organize those? Post it notes, that occasionally fly away? In your notebook that fills up with ideas? Maybe on the computer?

I used to write my daily tasks in a notebook. But throughout the day as things happen I’d continue to write down things that come up that need done. And, any ideas that were coming to mind. My to-do’s were getting lost in all of my want-to’s.  I needed a better set up. For me I’m much more successful when I write tasks down. And then, ya know, the satisfaction of crossing them off as you finish them. Don’t deny it, you love to cross things off! ;)  The Make It Happen Daily To-Do List came into full force!

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I needed something that was designated to just things that needed done. Not ideas or notes, just tasks. And not just a blank paper that ended up having the longest list of things to do on it. That became overwhelming. Sometimes to the point of ignoring it. The Make It Happen list helps me focus. Taking 5 top, must do, things and making them a priority. Yet also listing out other things that needed done, but breaking them down. Seeing a few emails need sent or phone calls to be made that I can do in a minute if I have the chance. Listing out some errands to run if they come up. And a space for more to-do list items that need done but maybe aren’t a priority and must be done today. Print these out to have on hand. And then filling them out the day before. Yes the day before. At the end of our work day it’s fresh with what we haven’t finished or the next things to do. In the morning it takes us a little to get going. This way if it’s done the day before and you sit down for work you know exactly what to do and aren’t trying to think back to where you were or what was that one thing yesterday you thought of!

Organization! It makes our lives so much better. The hard part is getting organized. So download this form and start organizing your business!  Keep on top of everything!  Share it with a friend, help each other be successful! :)

CLICK HERE TO DOWNLOAD THE MAKE IT HAPPEN TO DO LIST!

Happy Tuesday, Friends!

Signed

 

Contact Jackie  |  Join the Facebook Fanpage  |  Check out the Website

Workflow Chart | Mountain Resort Wedding Photographer

Wednesday, March 20th, 2013

Up until about 8 months ago my business was sooo disorganized. And because of it’s disorganization I was working more. Yes. Spending more time working because I was so disorganized. Honestly I’m not an organized person, so naturally my business didn’t start that way. Being organized with a system and a schedule has allowed me to work less than 30 hours a week. And I LOVE it!  However the hardest part about being organized is actually getting organized to begin with. Once you’ve a built system and workflow charts, schedules, files, etc. It’s easy to keep those up. Even if you automate or build a template or chart for something and it saves you just 2 minutes. Times that by the number of times you’re doing it and realize you could be saving yourself alot of time if it only took you a few seconds ;)

I’ll definitely blog more about getting organized and building a system, schedule, and workflow. But today we’re talking about the client workflow chart. Now I use a studio management software called, Pixifi. It’s the bomb dot com, my friends. It takes all of this and keeps it electronically online so I can get to it wherever, whenever. But I love the workflow chart. First it’s easy to see every client in progress, what needs done, what I have done, etc in half a second. A glance up and I can see what needs to happen. As you’ll see in the photo below it’s time for this girl to start making some wedding day timelines!  But there’s also this simple satisfaction of x-ing off what you’ve done. Crossing it off the checklist. It’s so damn satisfying I just can’t get over it!  So it’s super handy especially in the long run to have this all filed online in my studio management software, but it’s super duper nice to be able to quickly glance over and see where I’m at. And if you don’t use a studio management software I highly recommend Pixifi. But if you’re just starting out or looking for other ways to organize, this may be the perfect answer for you!

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You’ve probably seen these charts before. Because they’re AWESOME! I made mine in photoshop with basically just placing a bunch of lines and text on a new file. It organizes who has contracts & invoice, questionnaires sent, engagement sessions, whether they’ve been blogged, uploaded to PASS, delivered, thank you cards, etc.  You can find these through many different resources. Some giving you lots of customization capabilities. If you love this one, guess what you can have it!

Just click the link below to get it! Give it a few minutes to open, it’s a big file! Save it to your computer and open it up in Photoshop. All the layers are there in folders for you to move around and customize to your needs. You’re workflow may be very different than mine, however this will give you the bare bones to make your chart come to life!

CLICK HERE TO DOWNLOAD THE WORKFLOW CHART

I printed mine as an 11×14 through Costco, yup, through Costco. I needed to get a smoothie there anyway ;) Then popped it in a frame I loved. Snagged some dry erase markers and voila!!

Now I’m off to start some wedding day timelines since this chart is showing some work is needed there!

Enjoy!

Signed

Contact Jackie  |  Join the Facebook Fanpage  |  Check out the Website

The Second Shooter

Tuesday, March 12th, 2013

The second shooter has become this benefit that everyone enjoys when they book their wedding with me. Almost every inquiry asks do we really get a second shooter? Are they shooting or assisting? You really include a second shooter? We get two photographers?!!!!  And enthusiastically I reply with yes there will be 2 of us taking photos.

Because I’ve always done this I’ve always felt like this was a standard. However after a conversation with an engaged friend the other night I learned that it isn’t standard. Not everyone has one, or offers one. And those that offer were sometimes charging up to 40% more as an additional expense to bring the second photographer. I was a little baffled. I can’t imagine a wedding without a second shooter. And if you didn’t know, brides don’t like random additional expenses ;)

The second shooter is very valuable. For the couple. And, for me. So if you’re a photographer considering the idea of adding one, or a bride looking for a photographer, here are some reasons you might want a second shooter to be there.

- Backup. Unfortunately things happen. Technology can fail. Last summer I photographed a wedding where a card failed. It malfunctioned. It died. But on that card were my photos from the ceremony and a boat ride following the ceremony. Fortunately I was able to recover about 80% of the photos I had taken from recovery software and such. But I was still missing the beginning of the ceremony. Thankfully I had a second shooter covering as well and we had some photos. Without him I would have had to deliver a wedding missing the beginning of the actual main event!

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- 2 places at one time. For example, getting ready. There are times that the bride is getting into her dress at the same time the groom is getting into his tux. And lets be real. We can tell men wait for me to come before you get dressed. When he either didn’t hear that or heard get dressed before I come ;) Then I miss him getting ready and have to re-enact it, taking more time. Or often the bride and her gorgeous ladies are getting ready in an entirely different location than the groom and his men. Do you choose to just photograph the bride or try to cover both losing moments happening in each place? My second shooter spends getting ready time with the boys and I’m with the girls. So we don’t have to worry about being in 2 places at once, cause we already are ;)

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-Simultaneous moments.  There is ALOT happening at once during weddings. For example 30-60 seconds of the bride walking down the aisle. In this one minute of time there is his reaction to seeing her, her seeing him, her dad walking her down the aisle, mom beaming with tears in her eyes at her seat, the maid of honor with the biggest smile on her face, Grandpa in the front row with a tissue to his eye cause he “doesn’t cry” ;) , the best man giving the groom a pat on the back of encouragement. How can I try to capture all of this in 30 seconds by myself? Especially without making a scene! And lets be honest the bride and groom are fixed on each other. They don’t see everyones reaction, or remember that pat on the back. Without the images telling that part of the story they wouldn’t even know :D Instead, my second shooter and I split the duties. Usually one covering the groom and the bridal party, the other covering the bride and family. The bride and the groom are top priority here. So if I’m on bride duty as soon as I know I nailed a couple great photos I’ll turn to grab 2 images of the groom. That goes back to the first point, backup. In the unfortunate case that my second shooter has something happen to the camera, or card I grabbed a couple quick images of the groom.

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-Different points of view. I love how much we can cover during portraits with 2 of us getting 2 points of view. With 2 points of view comes awareness and understanding of what the other is doing. If I’m shooting wide my second is going to shoot tighter and vice versa. Then we’re shooting at 2 different angles. One might be straight on and the other to the side. Each giving a different look. Giving my clients double the opportunity for killer images during the bride & groom part of the day. Which can be extremely beneficial for those weddings where only 20 minutes are given for portraits, or things run late and you have less time, etc.

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-It’s more fun. Who doesn’t want more fun?!  Although my brides always become my friends and we have a great time together. By the end of the night I feel like I’ve known that group of girls my whole life. But it’s still more fun to have someone along side you for the adventure. Coffee in the morning, a little jam time before it’s go time, someone to eat with, to laugh with, to dance with, someone there to support you and encourage you when you doubt yourself, someone to carry your things (ya I said it), and even though you ate at the reception you’re burnt out and hungry now you have someone to grab take out with.

So whether you’re a bride or a photographer, the second shooter is of benefit to both of you. And even when I’m photographing a 2 hour elopement where the ceremony is only the two of them I bring an assistant. To carry things, to help me coordinate or pull her dress out just right during photos, to point out things happening that I might not see, chances are they’ll take a few photographs giving that other point of view, and I’ll definitely have a little more fun. And my brides, they get security in knowing I’m doing all I can to cover every moment, doubling up at important times to make sure it’s never forgotten even in old age, they’ll receive more because of the extra view, their groom isn’t being left out or put lower than her on the photo priority list, and having both of us just brings a little ease and comfort on their big day.

Signed

Contact Jackie  |  Join the Facebook Fanpage  |  Check out the Website

UNITED 2013 | Mountain Resort Wedding Photographer

Wednesday, March 6th, 2013

UNITED 2013. Where to begin? Last week I headed off to Santa Barbara once again. To be a part of something much bigger than myself. Even bigger than I had imagined. You see I attended UNITED last year in Las Vegas. And although I gained a little from the classes I gained more from the connections I had made with people there. I knew UNITED2013 would be better as I had seen some of the planning unravel but in the end I was blown away. I left Santa Barbara full. I couldn’t stop attending classes. At times starting in one and then sneeking out to jump in on another one so I could get something from each of them. But it didn’t stop with just the classes.  After classes I was drawn to meeting new people, getting to know them, finding out what could I do to help them.

I’ve been thinking about this blogpost for a few days. Trying to figure out how to sum up this event. The truth is that summing it up isn’t possible. And although I can’t sum up the whole event for you, I feel the need to share the moments that made the most impact on me. The moments that moved me.

The first night. There was a big snow storm in Salt Lake so I finally arrived in Santa Barbara about 6 hours after I had planned to. It was ok. I was greeted with BIG hugs from amazing people in the doorway of DJ’s house. The night went on and it was just Lauren, Jessica, DJ and I. Deep in conversation, full of laughter, the wine flowing and the pushing of one another. None of us wanted that conversation to end. Learning more about each other, having grace for one another. And ultimately pushing each other to be better, sometimes forcefully ;)  Finally at 3am we shut it down. Which was really 4am for me and 5am for Lauren & Jessica. Hands down the best fireside chat to date ;) Fortunately this didn’t end there. Hanging in rooms each night til the wee hours of the morning, talking, playing games, laughing. Amazing friendships have blossomed.

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I have so many pictures of fun stuff I’ll do another post of photos for you to see the fun that was had ;)

Some of the most impacting moments for me during the event came from 3 people.  3 I had never sat in a class for. The first Trevor Dayley. I told Trevor this, but I almost didn’t come to his class. It was the morning of the last day I was a little overwhelmed with information from the previous few days and I was going to relax. Now I’d never heard Trevor talk on this level. But he’s a friend. I’ve taken and seeked out his advice many a times. Him and I endure Fight Club together. I knew his class would be amazing, but thought it was one I probably could pass up. That morning, something came over me. I walked in, I sat, I listened. I even took notes. The moments that stuck out to me.

  • People become tools of their tools.  Think about that. How often do we have a tool that we use thinking it will make our lives better but instead we are slaves to it, we are a tool to that tool.  The purpose of these tools is to help us, not to become their tools.
  • Cleaning the email. Now we all do this right but he talked about automating this. Saving time. Labeling. Making email to-do folder. Unsubscribing from junk (unroll.me).
  • LawDiminishing Returns – At a certain point adding more effort will not add significantly more gains.
  • Have the attitude of gratitude.
  • Talents & Gifts ripple, they do not reduce or diminish when shared.
  • Visualize what you want.

The biggest statement for me from Trevor was:

  • Turn have-to’s into get-to’s.

I instantly thought back to the many times that week I was running low on energy and would say “I have to go do….” When my statement should have been I get to. It’s changed my outlook in these last few days. I’ve even corrected my daughter after she said she always has to do this… now she gets to do this.

Mary Marantz ended UNITED. No one else better to do it. She has such a beautiful heart and I’m so blessed to now call her and Justin friends. She challenged us to be a part of something much bigger than ourselves. I’m still mentally taking in her talk. It was evident that she moved people. The highlights for me from Mary:

  • It’s not about who we are, but who we are becoming.
  • Gifts are obligations not opportunities.
  • Regret is to mourn your own life while you’re still living it.
  • Don’t make a living, make a life doing it instead.
  • Live a life of significance, leave more than you took. Life of significance > life of success.
  • Your gifts are not yours, who are you to use them, who are you not to. Gifts are to be shared.
  • We wear “busy” like a badge of honor, WHY?!
  • Give more of yourself than you receive.
  • It’s better to fail at things that matter than to succeed at those that don’t.
  • Fail forward.
  • Write a story that’s bigger than you.
  • “I dare you to be the change you want to be. I dare you to move.”

Mary, I don’t take dares lightly ;)

I’ll end with Kevin Hall. I had never met Kevin prior to UNITED. Nor had I read his book, Aspire. So I had no idea what was to come.  Kevin’s speech sank deep. Motivated me to stop saying something and do them. I gained a new understanding of words. I have huge respect for him. For a man who has no real ties to a photographer/designer group and conference Kevin didn’t just show up to teach his one class. He was there from the beginning. Stepping into each class hearing all of us. Eating with us and so forth. Even still there the last day (a day after his speech) for classes and the get together at DJ’s finishing off the event. Who does that?! Kevin Hall. A man who cares more about others than himself.  If you haven’t read the book I highly recommend it. It flows almost exactly with his speech he gave us, which I love. It’s like having his talk with me all the time ;)

  • Genshai – Never treat another person in a manner to make them feel small. Not even yourself.
  • 5 affirmations – I am worthy. I am capable & grateful. I forgive. (myself & others) I am abundant. I trust myself.
  • Nature gives all & loses nothing
  • What you throw out, you get back.
  • Namaste – I salute you. I salute your dreams. I salute your desires.
  • Do what you’re great at. Not what you’re good at.
  • If I want to be free, I have to be me.
  • We become what we think about.
  • Never let your mind talk you out of what you’re great at.
  • The cave we fear to enter holds the treasure that we seek.
  • Humility – opening my gifts & mastering what I’m best at
  • Growth is Happiness.
  • Coach- to take value from where they are to where they want to go
  • Inspire – to breath life into someones dreams
  • We receive what we truly desire for others.
  • Passion – willing to sacrifice for what you love.
  • Pain is forgotten. Memory of the victory lives on forever.

Now if you didn’t have the opportunity to come to UNITED, missed Kevin’s class or just feel like the few things I listed have touched you, I have a treat for you. I’m giving away a copy of Kevin’s book Aspire. And not just any copy. He signed it with you in mind.

I will announce the winner on Friday, March 8th. To enter comment on this blog post with what you are passionate about. From the book, Aspire – “The real meaning of passion is being willing to suffer for what you love.  When we discover what we are willing to pay a price for, we discover our life’s mission and purpose.” “Those with passion do; those without passion try.” What are you truly passionate about? Then share this with a friend that you think would benefit from Aspire. Seriously share it with a friend. Or share it on Facebook with a lot of friends.  Real friends want to see other friends win ;) I’ll announce the winner via the blog and Facebook!

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The Nerves.. | Confessions

Thursday, February 21st, 2013

I woke up this morning pretty refreshed. Grabbed a cup of joe…. cup of coffee like I always do. With a husband named Joe saying I grabbed a cup of him is weird ;) Hopped on the couch to enjoy the view from my living room window. As I sit I can feel myself getting worked up. I’m nervous. Like, really nervous. I can normally shake nerves pretty well. I usually enjoy this, this pushing of myself. I feel compelled in life to push my “limits.”

50 hours from now Joe and Cattie will be dropping me off to fly out to California for a conference, Showit UNITED.  It’s going to be ridiculously fun. I probably will not sleep, consume alot of caffeine, reconnect with great friends and make many many more. And the speaking lineup is straight up ridiculous. Justin & Mary, Jeff Jochum, Zach & Jody, Karen & Isaac, Mike Larson, Katelyn James, Trevor Dayley, Kevin Hall, Kenny Kim, Promise Tangeman, it goes on. And tucked in that list of names is mine, Jackie Gannon.

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I’m actually really pumped to talk. It’s not the talking that’s had me freaked out at all. I had mentally prepared myself to talk to maybe 30 people. MAYBE 30 people. Then I got an email that we’re having 2 other classes happen at the same time as mine. So my talk is taking place in the main room. The main room holds every attendee if they want to come. I’ve see this room. It’s HUGE!!!!! HUGE! People. REAL HUGE! What if my class starts and the room is empty? :o Flip side what if it’s full :o  I’m just trying to wrap my head around my short self talking in this ginormous room. After finishing this coffee I’ve realized that’s what making my nerves go whack. The size of this room. In the end, what can I do about it? NADA.

When I’m challenging myself it usually starts with nerves, heart racing. Then the pep talk with myself begins. Ends with ‘what could really happen’ or ‘what can I do about it.’ Deep breath. Boom, do it. This post was my pep talk, just out loud this time.

Deep breath.

… Can’t wait for some warmth, sun, and the beach. But I am definitely going to miss this…

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Happy Thursday :)

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ISO – Step 4 // Learning Photography

Wednesday, February 20th, 2013

The last part of the exposure triangle, ISO.

ISO – your cameras level of sensitivity to light.

In film ISO was the indication of how sensitive the film was to light. Measured in numbers on the film, 100, 200, 400, 800, etc.  It’s the same principle in digital photography.  It measures the sensitivity of the image sensor. The lower the ISO number the lower the sensitivity to light and finer the grain in the image.  Higher ISO is usually used in darker scenarios where you need more sensitivity to light to get a faster shutter speed. And each camera has its own limit on ISO capabilities.

Setting your ISO at 100 is probably considered normal and will give you images with little to no grain :)  I’m usually bumping up my ISO when I’m being specific about the aperture I want, yet need a faster shutter speed more often. ISO is the last piece of the triangle that I’m going to change if it needs it.

When I have a ceremony in a church I’m usually cranking up my ISO. Churches are kinda dark, sorry, but they are. Now my camera allows me quite a bit of wiggle room in the ISO department. The photo below was shot at 2500 ISO. Your camera may not be able to go that high. But there actually isn’t a lot of grain (also called noise) in this photo and often it’s most noticeable in the shadows. I zoomed in a bit and you can see a little noise there but it isn’t bad :) I had my aperture at f/2.0 and my shutter speed was only 1/125 of a second. So not terribly fast but good enough with a 50mm lens to get a still shot without motion blur.

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Now you know each piece we just have to put it all together and then talk a little about composition and technique and you are off to a great start to start making amazing images :)

What happened before this?

Step 1 – Get to Know Your Camera

Step 2 – Modes & Exposure Triangle

Step 3 – Shutter Speed

Step 4 – Aperture

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Aperture – Step 4 // Learning Photography

Monday, February 11th, 2013

Let’s tackle aperture!  Aperture is the probably the hardest of the exposure triangle to understand.  However once you get the hang of it it’s a breeze ;)

Aperture – the size of the opening in your lens allowing light in. Also determines depth of field in an image.

Back in Step 1 you learned your camera and where each button and dial is. Aperture is usually a dial on your camera. Turning that dial changes your aperture setting, the opening in the lens. The larger the opening, or wider the aperture, the more light you let in with each exposure. The smaller the opening, or narrower the aperture, the less light you let in.

Stop for a second. Take that in.

Read it again.

Understanding that?

Now one might think if a wider aperture lets in more light why would we ever use a narrower aperture.  You may end up in a situation where there is too much light, overexposing your images. Narrowing your aperture is one way you limit the amount of light coming in. More than likely you’ll be adjusting your aperture to determine how much of your image you want in focus. The narrower your aperture the more your photograph will appear to be in focus. So a landscape photographer often uses a more narrower aperture. They want that landscape photo to be appear in focus through the whole thing most of the time.

You’ve probably seen photos (even on this blog)where the subject is in focus but the background is blurred. This is achieved by using a wider aperture. This is often a desired look in portraiture.

Aperture is represented in what we call f-stops. A lower number such as f/1.8 signifies a wider aperture (more light, more blur). A larger number such as f/22 signifies a narrower aperture (less light, more focus). The lens you use will be marked, usually close to the glass, the widest aperture possible. For example the Canon 50mm f/1.8 can only open up to a 1.8 it cannot open wider than that to say a 1.4, 1.2 or even a 1.0!  It’s limited to 1.8 as the widest. Some will say a range such as f/3.5-5.6 This is common for a zoom lens. When you have it zoomed out as far as it will go the widest aperture available is f/3.5. When you have it zoomed all the way in on your subject the widest aperture available is f/5.6 As you zoom it changes the widest aperture that you can go. There are fixed aperture zoom lenses. They cost more money. The Canon 24-70mm is a f/2.8 You can zoom all the out and then all the way in and still be able to have an aperture of 2.8.

Ok take a second. Breathe. It’s alot right?!

Let’s summarize that a little. A wide aperture, such as f/1.8, lets in more light and has a shallower depth of field (meaning less of your photo will appear in focus). A narrower aperture, such as f/22, lets in less light and has a deeper depth of field (meaning more or your photo will appear in focus).

Let me show you an image in different apertures so you can visualize it. I used the Canon 50mm f/1.8 lens. Couple of reasons it’s an inexpensive lens. As you’re starting out you probably don’t have thousands of $$$ to drop on a lens. The Canon 50mm f/1.8 is about $100. It isn’t the best quality of build or the best glass but it is an inexpensive option that you can still produce great images with. And it has a wider aperture of f/1.8 to work with. I decided to focus on the green grass ball thing on a shelf in my living room.  I stood about 3 feet away from it while taking these pictures. I adjusted to my other settings so that the light coming in was pretty consistant otherwise we’d have black images by the end. I want you to see how changing the aperture changes the amount of the image in focus. And these are all straight out of camera. So I have not edited them.

Starting at f/1.8 and the focus on the grass ball. You’ll notice that not even the whole ball is in focus. The front is and it begins to blur before the end of the ball.

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At f/2.2 the ball is more in focus, not entirely, but more. And the hand mold starts to become more in focus.

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At f/4.0 the ball is more in focus, the hand and even the bottom of the frame starts to become sharper.

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At f/5.6 it’s all beginning to look in focus.

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At f/16 we see it all has definition in focus. The shelf isn’t very deep so even at f/22 it would look very similar to this.

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Now to see them all together.

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Next we’ll tackle ISO and then bring it all back together!

Looking for previous steps in the Learning Photography series?

Step 1 – Get to Know Your Camera

Step 2 – Modes & Exposure Triangle

Step 3 – Shutter Speed

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Shutter Speed – Step 3 // Learning Photography

Friday, February 1st, 2013

Alright lets break down the exposure triangle a bit and look at each piece separately. We’ll start with shutter speed as it’s generally the easiest to grasp. Here is the definition of Shutter Speed that I gave you in Step 2.

Shutter Speed – is the amount of time that the shutter is open to allow light into the camera sensor.

Shutter speed is measured in seconds. Most often it’s a fraction of a second. So the bigger the denominator the faster the shutter closes. 1/2000 sec is going to shut much faster than at 1/30 sec. If you’re beginning to shoot under 1/30 sec you’re going to want to find a way to stabilize your camera to minimize camera shake, or use a tripod.

To determine what shutter speed you want first look at what your photographing and the movement involved. How much movement do you want to show in your photo? You can freeze it with a faster shutter speed or let it blur a little or a lot by slowing the shutter speed.

Motion isn’t bad. It could be exactly the story you’re trying to tell.

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One other thing to consider when determining your shutter speed is the length of your lens.  The longer the lens the more shake you have, meaning the need for higher shutter speeds to avoid camera shake blur.  A good rule of thumb is to keep your shutter speed 2x the length of your lens. So if I put a 50mm lens on my camera I’m going to want my shutter speed 1/100 or faster if I’m trying to avoid motion blur.

Now remember when you’re in Manual mode there are 3 pieces to making making the exposure you want. Shutter speed is just one of them. As you change you shutter speed between images you may need to change the aperture or iso to get the right exposure. We’ll talk about aperture and iso separately next and then bring them all together!

Lost? Check out the previous steps:

Step 1 – Get to Know Your Camera

Step 2 – Modes & Exposure Triangle

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Modes & Exposure Triangle – Step 2 // Learning Photography

Wednesday, January 30th, 2013

I meant to post this up on Friday however Friday was CRAZY. Meeting with a gorgeous bride, another following with a photographer and then rushing to pack and get out of town on a mini-vacay for a friends bday. So here we are!

Alright I left you last week with some homework. Missed it? Check out Step 1. Did you take your photo and learn the buttons on your camera? You did! YES! Now we’re going to talk about the Exposure triangle and the different modes your camera has.

The exposure triangle is made up of shutter speed, aperture, and iso. All of these relate to light, how it enters the camera, and then how it interacts with the camera.

Shutter Speed – is the amount of time that the shutter is open to allow light into the camera sensor.

Aperture – the size of the opening in your lens allowing light in. Also determines depth of field in an image.

ISO – your cameras level of sensitivity to light.

Now we’re going to go over each one of these more in depth in the coming days to give you a better understanding of each. In order to go through the different modes on your camera you needed some definitions.

There are a few different modes you can use your camera on. Each doing something different. So, you may or may not, end up using them at different times :)

A – is for automatic. If you’re just starting off you’ve more than likely always had our camera in this mode.  It takes care of all of the pieces for you, automatically. In this mode your camera determines the exposure of an image.

P – is for program.  In this setting your camera sets the aperture and shutter speed, but allows you to change the iso.

Tv – is for shutter priority.  This mode allows you to set the shutter speed and iso and the camera will set the aperture needed for a proper exposure automatically.  To give an example of when you might use this mode: Your at your sons soccer game and you want to take a photo of him in action but want it sharp and not blurry. You could set a fast shutter speed and allow your camera to do the rest.

Av – is for aperture priority. This mode allows you to set the aperture and iso and the camera will set the shutter speed automatically.  This would be used when aperture is the most important aspect for you. I won’t go too far into this one as we’ll talk more about aperture specifically in another post. Aperture determines the depth of field in an image. If your priority was to take some images with a very shallow depth of field you could switch to this mode, adjust your aperture appropriately and your camera would do the rest.

M – is for manual. This mode allows you set aperture, iso, and shutter speed, giving you full control of your camera. I switched to manual when I first started learning my camera and have never gone back.  Because I use manual from here out each new post in the Learning Photography series will be using your camera in full manual mode. YAY!

Now if you skimmed through homework last time and aren’t totally familiar with your camera now is the time to learn how to change your camera mode and where and how you change shutter speed, aperture and iso.  Next up we’re going to dive more into shutter speed, aperture and iso each individually. After that we’re going to bring the triangle all together!

Lost? Check out the previous steps.

Step 1 – Getting to know your camera.

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Get to Know Your Camera – Step 1 // Learning Photography

Wednesday, January 23rd, 2013

Who here just got a new camera for Christmas? Or do you have an SLR but when you take photos they don’t look like the images you see photographers taking?  I bought an SLR after my daughter was born. Primarily for a faster shutter speed. My point & shoot would have this delay after you took the image and Cattie moved so fast it would end up blurry or would totally miss what I was trying to capture. I wanted a faster camera. So I bought an SLR.

A year later Joe and I got married in Mexico. Brought some AMAZING photographers from Florida with us to photograph our wedding. After getting our photos back from them I was so unhappy with the images I had taken at the beach. I mean I had a decent camera it should have just taken these incredible images right? Just like theirs!  Well, wrong. Camera’s have a mind of their own in a way. They try to read what you want to photograph and take the image according to what it’s reading, not what you’re telling it to read, until you learn how to.

So 4 months after getting my images back from wedding in April of 2010 I decided it was time to learn my camera. All I wanted was to be able to take some great images of my daughter growing up. I didn’t expect it to grow into what it is now. So know that this series is for everyone. If you want to be able to learn your camera and take great images of the happenings in your life. This is for YOU. If you want to start learning to create beautiful images for you, for your family, for your friends. This is for YOU! Want to learn photography and possibly have it grow into a business? This is for YOU.  This whole series is FOR ALL OF YOU!

As I started my journey I started searching for everything I could find to help me learn. Blogs, forums, emailing people etc. I was eager to learn. I’m going to do my best to put all of this into a series for you to follow step by step. Know that I’m sure there are many ways to learn this or go about doing some of this. This is how I learned, this is what I did. It’s not the only way and at times may not be viewed by others as the RIGHT way. It worked for me, it was right for me, and if it helps just one of you than I am happy!

To start this series off you have homework. Yes it will take work to create killer images :)

You of course need an SLR, brand doesn’t matter!! I shoot Canon now, but I started with an Olympus.

Go out and take one photo. Of anything. Anything you want. Or anyone you want. This is your starting point.

Read the manual to your camera. Yes, I said it. It will be so helpful I assure you. You need to know what all of the buttons on your camera do and where they are located. It will save you later.

Specific things to learn from your manual and buttons to find for Step 2:

1. How to change camera modes. A, P, Av, Tv, & M.

2. What button to push to change aperture.

3. What button/dial to change shutter speed.

4. What button to push to change ISO.

You do not need to know what ISO, Shutter Speed, or Aperture are right this second. We’ll cover those in step 2.  However knowing where to access those on your camera will make Step 2 flow a little easier. So, step 2 to come in a couple days and will break down the exposure triangle and using your camera in manual and what the other modes actually mean and do.

Have questions you want addressed about Step 2 or anything photo related, leave a comment and I’ll make sure to cover them! Or hop over to the FB page and ask away! :)

And I’ll try to play along. I went on a hunt for some photos. Here is one of my first photos I took as I was starting to learn to use my camera. I promise that the image you go out and take today or tomorrow will be something you look back on and then pat yourself on the back as you can SEE how far you’ve come!

Beginning Learning Photography

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